Why Is 'Rosie the Riveter' Being Appropriated for a War Against Climate Science?

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Her image is iconic โ€” red polka dot bandanna around her hair, blue sleeve rolled back, exposed bicep curled in a show of strength, a speech bubble declaring, โ€œWe Can Doย It!โ€

We know her today as โ€œRosie the Riveter,โ€ and sheโ€™s shown up on t-shirts, coffee cups, oven mitts, bobble-head dolls, and now, even a quarterly report of the fossil fuel industryโ€“funded think tank, the Heartland Institute.

In its report, the Heartland Institute โ€” infamous for its offensiveย 2012 billboard depicting the Unabomber as a โ€œbelieverโ€ in global warming โ€” displays the image of Rosie over the slogan โ€œWinning the Global Warming War.โ€ Itย sits atop an article by Joseph L. Bast, Heartland’s president, issuing a call to arms for โ€œfree-market advocatesโ€ against global warming. While Bastโ€™s litany of commonly debunked arguments against the science and threat of climate change isnโ€™t notable, Heartlandโ€™s choice of imagery is proving toย be.

โ€œTo me, it seems like an obscene appropriation of feminist iconography, and I find it, frankly, offensive,โ€ Sarah Myhre, University of Washington ocean and climate scientist, told DeSmog. โ€œAnd I looked for a mention of women or womenโ€™s lives and thereโ€™s no mention of women in the articleย whatsoever.โ€

Where’s a Singleย Lady?

Bastโ€™s article fails to make a single connection to women among his claims of โ€œfake scienceโ€ and the scientific community being โ€œdeeply divided and unsure over the causes and consequences of climate change.โ€ (Climate scientists overwhelminglyย agree humans are the primary causeย and that its impacts are and will be significant enough to justify taking action.)

โ€œThose are the classic tropes that are used to inflame skepticism around the science that underlies climate change, so as to not have to look directly at the very difficult and challenging nature of economic change that is necessary to respond to the science,โ€ said Myhre.ย โ€œI feel like Iโ€™ve read this little blurb a thousand times in otherย places.โ€

Rose the Riveter on the cover of the Heartland Institute's quarterly report
The Heartland Institute’s report uses Rosie the Riveter’s image in a call to arms against renewable energy and action on climateย change.

Bast instead points to what he calls a โ€œpro-environmentโ€ agenda appearing later in the report, which states, โ€œWe owe it to future generations to leave the world a better place than we found it.โ€ It goes on to bash renewable energy as being more harmful to the environment than fossilย fuels.

The United Nations, however, considers women to be โ€œmore vulnerable to the effects of climate change than men โ€” primarily as they constitute the majority of the worldโ€™s poor and are more dependent for their livelihood on natural resources that are threatened by climateย change.โ€ย 

Yet Bast calls the conservative effort to block action on climate change โ€œthe most important and most consequential war of our era,โ€ and declares that โ€œThe Heartland Instituteโ€™s primary goal over the next four years is to win the global warming war.โ€ He also hints at plans to crowdsource ideas for replacing the U.S. Environmental Protection Agency (EPA), a favorite target by Congressional Republicans.

Rosie appears again in Bast’s appeal for money to help Heartland in โ€œeducating policymakers and the public on why we must win the global warmingย war.โ€

Considering howย Rosie the Riveter made numerous appearances associated with the Womenโ€™s March earlier this year (which included support for science and the EPA), this juxtaposition makes Heartlandโ€™s use of the image in its report all the moreย poignant.ย 

Myhre wondered about the organizationโ€™s use of the symbol, asking, โ€œIs the Heartland Institute recognizing a sign of the times and how womenโ€™s voices are not going to goย away?โ€

Woman holding a sign supporting the EPA at the Women's March on Washington.
One woman’s sign calls toย โ€œSave theย EPAโ€ย during a rally before the Womenโ€™s March on Washington the day after Trump’sย inauguration.ย ยฉ 2017 Julieย Dermansky

โ€œThe legendary Rosie theย Riveterโ€ย 

President Donald Trump also invoked Rosieโ€™s name Wednesdayย in a speech to car companies and suppliers at Willow Run, a former manufacturing facility not far from Detroit, Michigan, which at one point built planes during World War II.

โ€œGreat Americans of all backgrounds built the arsenal of democracy, including the legendary Rosie the Riveter who worked here at Willow Run,โ€ saidย Trump.

Now, there was in fact a woman named Rose Will Monroe who worked as a riveter at Michiganโ€™s Willow Run plant during World War II, and purportedly was nicknamed โ€œRosie theย Riveter.โ€ย 

But there wasnโ€™t just one Rosie (real or symbolic). Female riveters named Rose or Rosalind were not uncommonly called this at the time thanks to a song unassociated with the popular image weโ€™re familiar withย now.

Who Really Wasย Rosie?

In reality, that image we today know as Rosie likely inspired few female workers during World War II.

โ€œWe really don’t think it would have been empowering or feminist at all in the original context,โ€ James Kimble, propaganda expert and associate professor at Seton Hall University, told DeSmog. โ€œReally it was kind of theย opposite.โ€

The image we call โ€œRosie the Riveterโ€ โ€” the woman worker declaring โ€œWe Can Do It!โ€ โ€” first appeared on a company propaganda poster created by artist J. Howard Miller. It was part of a series of more than 40 posters which hung in Westinghouse munitions plants during World War II.ย 

โ€œNot a single one of the other ones could you describe as being remotely feminist,โ€ said Kimble of theย rest of the Westinghouse propagandaย posters.ย 

What we today consider โ€œRosie’sโ€ poster only appeared for a brief two-week window in Februaryย 1943.

โ€œWe argue that for this brief moment, maybe there was this kind of empowerment, but it was washed out by all these other images of masculine war and factory and homemakers waving goodbye to their breadmakers as they go off to work,โ€ said Kimble, referring to findings from a 2006 scholarly article on Rosie the Riveter by him and colleague Lesterย Olson.ย 

A woman dressed in work coveralls and a red bandanna on her head operates a hand drill on a war plane during World War II
One of the many women working as part of the war effort in World War II, shown here operating a hand drill at Vultee-Nashville, Tennessee, on an A-31 Vengeance dive bomber in February 1943. Credit:ย Alfred T. Palmer, U.S. Office of War Information, publicย domain

At the time, the poster of Rosie actually had motivations behind it that would today be considered veryย un-progressive.

โ€œIt was used by the corporation, by Westinghouse, to control workers,โ€ said Kimble. โ€œThatโ€™s what their posters did. They were aimed at reducing the potential for strikes, cut down on absenteeism. So, very different I think than what we think of itย today.โ€

Yet Rosie the Riveter has been transformed over time into a popular and effective symbol for womenโ€™s rights and empowerment in the modern era. โ€œItโ€™s done a complete 180 turn,โ€ Kimble said, with women claiming the symbol in a way similar to the gay community turning the term โ€œqueenโ€ from an epithet into an expression ofย pride.

But would Rosie the Riveter go to war against climate change science, as Heartlandโ€™s report might suggest? In the U.S., women tend to be moreย concerned about climate issues than men, according to a 2016 Pew report. In addition, the report notes that โ€œthose most concerned about climate issues come from all gender, age, education, race and ethnicย groups.โ€ย 

So, probablyย not.

Main image: A cropped version of J. Howard Miller’s now-famous propaganda poster for Westinghouse Corporation’s munitions plants, which has become known as โ€œRosie the Riveter.โ€ Credit:ย J. Howard Miller, publicย domain

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Ashley is Senior Editor of DeSmog. She is also a freelance science and environmental journalist, and a contributing science writer for Natural History Magazine. Her work has appeared in publications such as The Atlantic, Slate, Science, Scientific American, Discover Magazine, Hakai Magazine, and Medium.

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